![]() The table gives an overview of the classes and the respective composers. We end up with a more or less balanced distribution, which enables the analysis of style characteristics over history as published in. This "Add-On" set includes each 200 piano and orchestra pieces and serves to fill the gaps between the historical periods. To overcome this problem, we created an additional set of recordings comprising works by such transitional composers. As a consequence, the data does not show an equal distribution with respect to the composers' lifetimes but exhibits some historical gaps. For example, we did not select works by Beethoven or Schubert since these composers show influences from both Classical and Romantic styles. To this end, we did not include composers whose stylistic attribution is rather ambiguous. Every category contains music from a minimum of five different composers from three different countries.įor the classification experiments in, we tried to avoid ambiguous tasks and only considered the classes Baroque, Classical, Romantic, and Modern were considered (1600 pieces). Moreover, the orchestral data neither includes works featuring vocal parts nor solo concertos. To avoid a bias due to timbral characteristics, we only selected piano recordings performed on the modern grand piano (no harpsichord recordings in the piano_baroque class). For every period, the dataset incorporates each 200 pieces of orchestra and piano music. At the same time, we tried to ensure a certain variety of countries, composers, musical forms, keys, or tempi. Therefore, we focused on composers whose works frequently appear in concerts and on classical radio programs. Furthermore, chroma-based audio features and automatically computed chord labels are available.įor the experiments in, we were interested in the typical repertoire of Western classical music. We provide annotations including composer- and piece-specific information as well as global key labels for the 1200 pieces of the Baroque, Classical, and Romantic periods. Furthermore, the set is balanced with respect to the historical periods by containing each 400 pieces that are representative for the four historical periods Baroque, Classical, Romantic, and Modern (20th century), as well as an "Add-On" class comprising transitional composers between those periods. The dataset is balanced with respect to timbral characteristics and contains each 1000 tracks for piano and orchestra (without singing voice / solo instruments), respectively. It is compiled from commercial audio recordings, totalling 2000 tracks, where a track refers to the movement level of a piece. ![]() The dataset presented on this website served as basis for studying the analysis and classification of Western classical music recordings in several publications.
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